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Lisa on the river banks, (Tangled series) oil on canvas, 120X100 cm, 2022.jpg

CHOTZEN

Images after memory

Berlin 9/2022 - 5/2023

BRINGING LIFE TO THE MEMORY

In front of the house on the pavement I noticed 5 Stolpersteine.
To my astonishment, the name Chotzen, my rare surname,
was engraved 5 times with names of my family members
that I have never heard of before.

 

Below their names the words Theresienstadt, and Auschwitz
did not leave any hope…

 

While painting they became so precious to me.
Full of life, real. I wanted to get to know them.
To know who they were. How do you get to know a person who
died 80 years ago? And what does it mean to know a person?

The photographs were my reference, situations in which the great drama and tragedy that took place in the following years is in no way visible. But in the paintings I gave them a new and personal interpretation.

 

This is how I draw them: confident, and physically strong, healthy, in nature and in the sun.

 

Their characters seemed completely different, distant and opposite from the images of Holocaust victims as we are accustomed to seeing in those horrific scenes of persecuted Jews engraved in the collective memory of us all.

Inbar Chotzen, 2021

To view full video click here
From the exhibition introduction video

Chotzen Image after Memory, installation view 2, Museum in Villa Oppenheim, 2022.jpg

THE CHOTZEN FAMILY,
Johannisberger Strasse 3, Berlin

The story of a German-Jewish family before, during and after the Nazi era is told through
photographs, documents and personal records.

Josef and Elsa Chotzen lived at Johannisberger Strasse 3, near Heidelberger Platz, in Wilmersdorf with their four sons:
Joseph (nicknamed Eppi), Hugo-Kurt (nicknamed Bubi), Erich, and Ullrich, Ulli for short.
Under the Nazis, the family was increasing marginalized from society. The situation worsened when they were required to perform forced labor, which led to the death of Josef, the father.
Elsa, who had converted to Judaism before marrying her husband, exhibited great courage in her tireless effort to protect her family from persecution.

What was it?
And how much of it prevails today?
Was it stupidity? - Indifference? - Egoism?
Were they just mean? - Lacking character? - Cowardly?
And what made these “honorable” citizens ask:
Why did she marry a Jew?! - When referring to my mother.
Is this still a civilised nation?

 

Eppi Chotzen, 1990'
from his diary

 

Exhibition Credits

Museum Charlottenburg-Wilmersdorf in the Villa Oppenheim
Heike Hartmann, Director
House of the Wannsee Conference educational and memorial site
Debora Hartmann, Director
Dr. Ruth Preuss, Curator of the historical part
Friedhelm Hoffmann, Exhibition Photography  Exhibition Construction and Installation: Nikolai Korobeynikov
Graphics Production and Assembly: Digidax Media Design: Nicolás Rosero, Carlos Villamizar

Villa Oppenheim logo.jpg
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